The South African Band That Disappeared For 20 Years
After two decades of silence, Plum made their comeback in 2025, and they’re louder, wiser, and ready to reclaim their place in South Africa’s alternative scene.
In this episode, Nasiphi sits down with Warren to unpack the band’s return, the underground legacy they left behind, and the fire that brought them back together. From wild 90s gigs to their current and future plans, this is Plum like you’ve never seen them before!
#PlumReturns #SouthAfricanBands #BandComeback #MusicPodcast #SceneStories #RockInterview #PlumBand
Plum's Latest Single: https://www.youtube.com/watch?v=6HBkvplt1Rwhttps://www.youtube.com/watch?v=6HBkvplt1Rw
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Publicist
Cape Town’s doom, atmospheric noise, drone, and sludge post-metal trio P+A+G+E+S are set to unleash their debut full-length album, NO MORE CAN BE DONE, recorded with producer Simon Ratcliffe at Sound and Motion Studios between 3 and 7 February 2025. The album is a stark, slow-burning monolith of existential dread, geopolitical despair, environmental decay, and raw emotional weight—tempered by a glimmer of perseverance in a world teetering toward collapse. P+A+G+E+S' message is to take note of environmental degradation and to challenge oppression by standing up for BIPOC, women, LGBTQI+, human and animal rights.
Since pivoting from their post-rock and noise roots in 2017, Caitlin Mkhasibe (drums), Frank Lunar (bass), and helo samo (guitar, vocals, sampling, and textural noise) have pushed their sound toward heavier, drudging territory. NO MORE CAN BE DONE represents the culmination of years of interrupted yet purposeful writing, with its earliest riffs born in late 2019 and its completion delayed by the global pandemic until writing resumed in March 2024.
“Grief and the depressing state of the world were big inspirations,” says the band. “We wanted to create something that embodies that state and cast a light on things that are often hard to address—while writing music we would want to hear ourselves.”
Musically, the album unfolds like a descent into shadow:
Side A begins as a metamorphosis of chaotic, jolting noise before shifting into an industrial, mechanical gait, eventually dissolving into a fragile, symphonic closure.
Si…Read More











